Dual Color 312 LED Light
The compact 312 dual color LED light allow you to switch between tungsten and daylight without gels. I’m loving this convenient little light.
Built-in color temperature switch from daylight to tungsten (3200K~5600K)
Built-In intensity dimmer (10~100%)
Soften diffuser included
On-board battery life indicator
2 NP-F550 compatible batteries
Dual battery charger
A/C adapter
Hotshoe adaptor
Soft carrying case
312 Bi-Color Changing Dimmable LED Video Light
[...] to 5600K color temperatures. This light doesn’t allow you to mix colors though, like some other color changing LED panel lights I’ve reviewed, but it is much cheaper and feels like a better build. A dimmer switch allows you to dim the light [...]
[...] properly lit, you’re going to fall short. Having a simple battery powered LED light (click here) can add a world a a difference. Play around with the light. Try back lighting, introduce it [...]
Hi Olivia
I have a question. I am building a photobooth (open air) nd wanted to know will this work to illuminate the subject or subjects?
The photobooth that I am planning on building is not the old traditional sit-down booth. It’s more like what is being used at MVS studios.
Could you help me? Thanks.
I do believe the Light Panel that’s being used at MVS Studio is huge and cost $399 or $499. However, it gives some really good diffused lighting. Everything is so clear, sharp, and well lid.
Jackie, all of this depends on what type of environment you will have this photobooth in. Will the room be lit or dark? The 312 could work as a continuous light source, but I don’t think it would be hugely effective. I would use a translucent white screen or plastic shield to diffuse a flash. You can set the flash to slave and master your camera. This will provide enough light to properly light your subject. What is your setup so far?
[...] Collins with WideOpenCamera.com ran tests with a few different LED Video lights. One was a 312 LED light which I also reviewed (here), the Switronix Torch, along with the Lite Panel Micro Pro. From the results, I thought the 312 [...]
There is a 2nd generation model LED 312 A2- stronger hotshoe and magnetic filter. not built-in anymore?
http://www.ebay.com/itm/2nd-Generation-Model-LED312-A2-Camera-Light-DSLR-Video-Light-Camcorder-Light-/110784571624?pt=LH_DefaultDomain_0&hash=item19cb4668e8
312 ASZ is newest stronger version but no Bi-color anymore. No filter-built-in anymore. magnetic system
Buyers beware…I love your website, truly. But some of this equipment you review is garbage—including this 312. I wish you would you would address how cheap this equipment feels in your reviews…which shouldn’t surprise the consumer once it’s in their hands and it breaks for no apparent reason. I wouldn’t mention this if the company wouldn’t drag their feet on EXCHANGES. ex. fancierstudio.com
Disregard. They finally addressed the return.
Hi Jim, I appreciate your comment. I have to say though, I stand by my opinion. We use this light all the time and it’s been very good to us! I’m pretty particular about what it reviewed on the site. Everything that I take the time to share and cut a video for is something we’ve either used or are currently still using. Depending on the shooter’s budget and usage, this may not be the right fit. Although I must say… I personally do like the 312 LED. =)
Olivia, thank you for your comment. My own opinion may have been too harsh so I apologize. Keep up the great work.
yes, I also think this light is great. It’s worthy buying.
Hi Olivia,
I tend to buy a proper, portable, very powerful LED light which able to pop up a smaller room. So something ‘wide-angled’ or/and diffused. I am thinking getting an 1000 LED light but not shure. Have any experience? Any quality brand? Experienced any problem in white balancing while mixing LEDs with different temperature (in one light set)?
Thanks so much, Val
If you want to mix temperatures, using gels to color correct is your best bet. The LED lights are more portable than the CFL softbox sets. If you want to diffuse LED, since they are very directional, look into a scrim or diffusion gels. We use LED 900′s and they work well in the studio. Here is a blog post comparing LED’s to softboxes to give you a better idea of the throw and directionality. click here. You might also want to read this post about starting light kits click here.
Great article! My Laptop now bears a nice QR code with an embedded Logo
thanx olivia im so thankfull I’ve found out about ur legit jibs i also think ur hot to but in the most professional way thanx again
Hi Olivia,
Would you suggest this for a fill light or something stronger for outdoors? We sometimes do outdoor interviews with the camera at a range of 4–6 feet and are looking to knock out some facial shadows. In addition, we sometimes shoot indoor interviews on small watercraft where there may be a strong backlight from the windows. We want to be able to keep the subject lit properly without having to blow out the background. Thanks! Love your show!
@Glenn I’m just now seeing this comment! I would check out the F&V LED Ring Light R-300 if you haven’t already. For what you’re detailing, this light will probably give you the most bang for your buck.
Another Good Review from the Video Goddess, Thanks Olivia, we use these everyday on every shoot along with the 209 LED version. They are very useful
for a wide even light distribution. We use 3 at a time when we are stationary in a 3 point light shoot.
We also sell them directly from Chicago at a very good price. $149.95! and the
LED 209AS for $115.95! So check us out here.
312 LED Video Light
312 LED Video Light